A work on the contact sheets of a series of photos taken 30 years ago.

It is a questioning of the photographic medium and its process, by "overflowing" the image to include a bit of the neighboring images, we are both in the narration and in the questioning of the medium. The images thus have a raw and immediate force, the roughness of the unretouched contact sheet, the deep blacks the traces of a multitude of interventions, the wear of time and these exchanges/correspondences from one image to another.